Alma Mater Statue, University of Illinois
Backstory and Context
- Front: "ALMA MATER / To thy happy children / of the future / those of the past / send greetings"
- Left: "Given to the University / by the sculptor / the alumni fund / and the senior classes of / 1923, 1924, 1925, 1926, 1927, 1928, 1929."
- Right: "Her children arise up and call her Blessed" (Proverbs 31:28).
Standing at the front is Alma Mater herself, in academic robes. Behind her are Labor, who wears a blacksmith's apron, and Learning, who wears a classical gown and is based on the Lemnia Athena (on the Acropolis). Labor and Learning shake hands. The armchair behind Alma Mater features paw feet and the seal of the State of Illinois on its back.According to sculptor Lorado Taft, he wanted "to show 'Our Mother' as a benign and majestic woman in scholastic robes, who rises from her throne and advances a step with outstretched arms, a gesture of generously greeting her children. Our motto is fortunate, permitting me to introduce two more figures which while of the same scale will be subordinated in a sense. 'Learning' will be a modification of the so-called 'Lemnia Athena' which is distinctly archaic and admirably suited to the heraldic treatment. She will stand back at one side of the throne and will clasp hands with the sturdy figure of 'Labor' who will stand at the other side.Thus their hands will meet over the back of the chair" (quoted in Scheinman, 16).
The statue has been in its present location since 1962--in a move that some students found "shocking" and "in the worst possible taste; it makes the Alma Mater a debased, commercial 'advertisement' for the University" (Scheinman, 16). Regardless of the initial concerns, Alma Mater has continued to be a beloved university icon, her wide embrace welcoming all members of the university community.
Scheinman, Muriel. A Guide to Art at the University of Illinois: Urbana-Champaign, Robert Allerton Park, and Chicago. Urbana: University of Illinois Press, 1995. p. 15-17.