The Fabric Workshop and Museum
Backstory and Context
In 1977, the museum curator Mario Boulton Stroud founded the Fabric Workshop and Museum, originally just as the Fabric Workshop, with the intent of making a non-profit workshop that prioritized teamwork and creativity. Through the Workshop’s Artist-in-Residence program, which would host artists at the Museum, the Museum initially held artists to make functional pieces of art through screen printing. However, the Workshop quickly found that the stipulation that the art had to be functional was limiting the creativity of the artists, and as such, the artists within were allowed to operate outside of this requirement of functionality.
In a similar fashion, the rule that
artists were required to use fabric was altered as time went on. Artists soon
began working with many more materials, some of which were often unfamiliar to
them. In many ways, this was reflective of the artists’ actions and their
changing the very definition of what fabric was to them. During this period of
change, the Workshop also put in place an educational outreach program for
inner-city children to be able to have a creative outlet for themselves, as
well as a place to learn about the textile industry and receive training for a
job in it. In 1996, the Workshop changed its name to the Fabric Workshop and
Museum, as a reflection of the institute’s growing collection of art. Today,
the Museum continues to take on artists, and works to further broaden the
public’s knowledge of the fabric arts.