Dibrell House is a prominent and distinctive feature on the scene of the Quapaw Quarter. Built in 1992 by real estate agent H.A. Bowman and then sold to Dr. and Mrs. James A. Dibrell, this intriguing structure is designed in the Queen Anne Style. In the United States, the Queen Anne Style of architecture refers to a wide range of picturesque buildings which borrow freely from the architectural features of the Italian Renaissance and which avoid the features of English Gothic. The period of the Queen Anne Style runs from approximately 1880 to 1910 and refers to architecture, decorative arts, and furniture. In architecture, the Queen Anne Style incorporates distinctive gables and turrets, asymmetrical facades, dominant front-facing gables which are often cantilevered out beyond the supporting wall, pedimented porches, balconies, bay windows, overhanging eaves, leaded glass, dentils, balustrades, columns, and wooden or slate roofs. As the picture shows, Dibrell House demonstrates these characteristics in the form of turrets, bay windows, and gables.

The Dibrell House perches on a high lot at 14th and Spring Streets in the southwestern corner Little Rock's historic Quapaw Quarter. 

The Quapaw Quarter is a section of Little Rock which comprises its oldest and most historic business and residential neighborhoods. The name Quapaw comes from a corruption or mispronunciation of a word for a Native American Tribe which originally inhabited the area where the city of Little Rock is now situated. This name was informally applied to the lands west of the original city of Little Rock in the nineteenth century. Then, in 1961 the name of Quapaw Quarter was more formally assigned. Now, it is a well-loved and treasured historic district featuring constructions of the Victorian, Queen Anne, Colonial Revival, Italianate, and Craftsman Styles.

The Dibrell House represents the Queen Anne Style.

Dibrell House

This walking tour begins at the Marshall House which was constructed in 1908 and moves its way to several other historic Little Rock homes before stopping at Trinity Episcopal Cathedral and moving northeast. In addition to over a dozen historic homes, the tour includes Mount Holly Cemetery and Little Rock landmarks like Villa Marre and the Masonic lodge.

The Marshall House was designed by noted Arkansas architect Charles L. Thompson and originally constructed for attorney Joseph C. Marshall in 1908. In 1982, the Marshall House was listed on the National Register of Historic Places due to its architectural significance. According to the U.S. Department of the Interior Nomination Form for the National Register of Historic Places, the Marshall House represents the Georgian Revival Style.Georgian Revival Style is the resurrection of the dominant architectural style used in the English colonies during the period 1700 - 1780. The original Georgian Style of the 1700s featured a rigid symmetry, clapboard or wooden cladding, decorative pediments over windows, a hipped roof, and formal embellished entrances. As can be seen in the photograph above, the 1908 Marshall House brought these flourishes back to life in the early twentieth-century American South with its double front doors surmounted by decorative arches and its staid, four-columned porch. In addition, the Marshall House features a hipped gray slate roof with exposed rafters, monumental fluted Roman Doric-like columns, an embellished frieze, modillions lining the cornice, a raking cornice on the pediment, tracery around the doors, arcs crowned with dentil molding, elliptical arches with keystones, and front doors flanked by pilasters topped with Corinthian capitals.

Built in 1908, Marshall House is located on Arch Street in the southwestern corner of the Quapaw Quarter. The Quapaw Quarter is a section of Little Rock which comprises its oldest and most historic business and residential neighborhoods. The name Quapaw comes from a corruption or mispronunciation of a word for a Native American Tribe which originally inhabited the area where the city of Little Rock is now situated. This name was informally applied to the land west of the original city of Little Rock in the nineteenth century. Then, in 1961 the name of Quapaw Quarter was more formally assigned. Now, the Quapaw Quarter is a well-loved and treasured historic district featuring constructions in the Victorian, Queen Anne, Colonial Revival, Georgian Revival, Greek Revival, Italianate, and Craftsman Styles.

Marshall House

Designed by the nationally-noted Little Rock architect Frank Gibb, Gibb House conforms to the Queen Anne Style. In the United States, the Queen Anne Style of architecture refers to a wide range of picturesque buildings which borrow freely from the architectural features of the Italian Renaissance and avoid the features of English Gothic. The Queen Anne Style dominated design from approximately 1880 to 1910; it refers to architecture, decorative arts, and furniture. In architecture, the Queen Anne Style incorporates distinctive gables and turrets, asymmetrical facades, dominant front-facing gables which are often cantilevered out beyond the supporting wall, pedimented porches, balconies, overhanging eaves, leaded glass, dentils, balustrades, columns, multi-textured exterior skins, and wooden or slate roofs. Gibb House demonstrates the asymmetrical façade, multi-textured exterior, and embellishment typical of this style.

Built in 1890, Gibb House sits on Arch Street in the southwestern corner of the Quapaw Quarter. The Quapaw Quarter is a section of Little Rock which comprises its oldest and most historic business and residential neighborhoods. The name Quapaw comes from a corruption or mispronunciation of a word for a Native American Tribe which originally inhabited the area where the city of Little Rock is now situated. This name was informally applied to the land west of the original city of Little Rock in the nineteenth century. Then, in 1961 the name of Quapaw Quarter was more formally assigned. Now, it is a well-loved and treasured historic district featuring constructions of the Victorian, Queen Anne, Colonial Revival, Georgian Revival, Italianate, and Craftsman Styles.

Gibb House

Kavanaugh House is distinctive in that it combines two architectural styles. The exterior expresses both the symmetry of the Colonial Revival Style, as embodied in the symmetrical porch and second floor balcony, and the asymmetry of the Queen Anne Style, as expressed in the division between the differing right and left sides. The inside of the house is modeled on an asymmetrical Queen Anne floor plan, while integrating the decorative embellishments of the Colonial Revival Style. Queen Anne Style in the United States refers to a wide range of picturesque buildings which borrow freely from the architectural features of the Italian Renaissance and avoid the features of English Gothic. The Queen Anne Style dominated design from approximately 1880 to 1910, during which time frame the Kavanaugh House was designed and built. The Queen Anne Style includes architecture, decorative arts, and furniture. In architecture, the Queen Anne Style incorporates distinctive gables and turrets, asymmetrical facades, dominant front-facing gables which are often cantilevered out beyond the supporting wall, pedimented porches, balconies, overhanging eaves, leaded glass, dentils, balustrades, columns, multi-textured exterior skins, and wooden or slate roofs. The Kavanaugh House typifies this style with its evident balcony, asymmetrical front face, and leaded glass windows. Colonial Revival Style is embodied in homes built from 1880 to 1950 which reflect a renewed interest in the earliest North American houses built by English and Dutch settlers. Colonial Revival architectural style includes gabled, hipped, and gambrel roof types. The dramatically-gabled roof of the Kavanaugh House embodies the Colonial Revival form.Kavanaugh House is further distinguished by the fact that its first owner led the early twentieth-century development of the city of Little Rock in several ways. Kavanaugh was a newspaperman, a promoter of steam heating, a builder of roads, a sheriff, and a judge. Little Rock’s picturesque Kavanaugh Boulevard is named after him for his efforts in initiating the development of the Pulaski Heights area of what was the far western edge of the city in his day

Built in 1898 – 1899 for Judge William Marmaduke Kavanaugh, this intriguing structure  is located on Arch Street in the southwest corner of the Quapaw Quarter. The Quapaw Quarter is a section of Little Rock which comprises its oldest and most historic business and residential neighborhoods. The name Quapaw comes from a corruption or mispronunciation of a word for a Native American Tribe which originally inhabited the area where the city of Little Rock is now situated. This name was informally applied to the land west of the original city of Little Rock in the nineteenth century. Then, in 1961 the name of Quapaw Quarter was more formally assigned. Now, it is a well-loved and treasured historic district featuring constructions of the Victorian, Queen Anne, Colonial Revival, Georgian Revival, Colonial Revival, Italianate, and Craftsman Styles.

Kavanaugh House

Well-known Arkansas architect Frank Gibbs designed the Prather House for homeowners John and Grace Prther in his signature Queen Anne Style. In the United States, Queen Anne Style refers to a wide range of picturesque buildings which borrow freely from the architectural features of the Italian Renaissance and avoid the features of English Gothic. The Queen Anne Style dominated design from approximately 1880 to 1910, during which time frame the Prather House was designed and built. The Queen Anne Style includes architecture, decorative arts, and furniture. In architecture, the Queen Anne Style incorporates distinctive gables and turrets, asymmetrical facades, dominant front-facing gables which are often cantilevered out beyond the supporting wall, pedimented porches, balconies, overhanging eaves, leaded glass, dentils, balustrades, columns, multi-textured exterior skins, and wooden or slate roofs. The Prather House demonstrates the Queen Anne Style through its asymmetrical front face, gabled roof line, and windows with leaded glass decorative panels.

Originally constructed in 1890, the Prather House is located on Gaines Street in the southwestern quadrant of Little Rock’s Quapaw Quarter. The Quapaw Quarter is a section of Little Rock which comprises its oldest and most historic business and residential neighborhoods. The name Quapaw comes from a corruption or mispronunciation of a word for a Native American Tribe which originally inhabited the area where the city of Little Rock is now situated. This name was informally applied to the land west of the original city of Little Rock in the nineteenth century. Then, in 1961 the name of Quapaw Quarter was more formally assigned. Now, it is a well-loved and treasured historic district featuring constructions of the Victorian, Queen Anne, Colonial Revival, Georgian Revival, Italianate, and Craftsman Styles.

Prather House

The Rogers House was built in 1914 in a combination of Craftsman, Foursquare, and Colonial Revival Styles. The Craftsman and Foursquare Styles are twentieth-century reactions to the complexity and embellishment of the eighteenth-century Victorian and Queen Anne Styles. The more historic Colonial Revival Style is embodied in American homes built from 1880 to 1950 and which reflect a renewed interest in the earliest North American houses built by English and Dutch settlers. The Rogers House demonstrates the Craftsman Style in details such as the tile roof, exposed rafter ends, and decorative braces under the eaves of the gabled dormers. At the same time, it features elements of Colonial Revival Style, such as the classical portico and balustrades beneath the second-story windows.

Located just a block east of Broadway on 18th Street, the Rogers House sits near the heart of Little Rock’s Quapaw Quarter. The Quapaw Quarter is a section of Little Rock which comprises its oldest and most historic business and residential neighborhoods. The name Quapaw comes from a corruption or mispronunciation of a word for a Native American Tribe which originally inhabited the area where the city of Little Rock is now situated. This name was informally applied to the land west of the original city of Little Rock in the nineteenth century. Then, in 1961 the name of Quapaw Quarter was more formally assigned. Now, it is a well-loved and treasured historic district featuring constructions of the Victorian, Queen Anne, Colonial Revival, Georgian Revival, Italianate, and Craftsman Styles.

Rogers House

Constructed during the period 1884 - 1892, the main sanctuary of the Cathedral was designed in the Gothic Revival Style frequently used in English rural churches of the nineteenth century. At the time, the Cathedral was very much an architectural statement which proclaimed the linkage of the American Episcopal Church with the English Anglican tradition. Today, the Cathedral is part of Little Rock's vibrant downtown Quapaw Quarter, only a block away from the Governor's Mansion and not far from the busy streets of commercial Little Rock. However, when it was originally constructed, the Cathedral sat amongst fields and country cottages. Now it nestles amongst historic houses, many of which were constructed around the same time as the Cathedral, creating an historic ambience which encompasses several blocks.

Listed on the National Register of Historic Places in 1976, Trinity Episcopal Cathedral is a featured landmark of the downtown Quapaw Quarter in Little Rock, Arkansas. It is situated on a full city block bordered by 17th on the south, Spring on the west, 16th on the north, and Center on the east. Pictured here are several views of the building and grounds. Images include the interior, courtyard fountain, courtyard burial area called a columbarium, and the main entry on the southwest corner. The main sanctuary was built in the late 1880s and early 1890s in the English Gothic Revival Style. It features natural wood flooring, high ceiling arches, a world-class pipe organ, and authentic stained glass windows from both the nineteenth and twentieth centuries. 

Trinity Episcopal Cathedral

According to the records of the Quapaw Quarter Association, in the mid-1890s a man named Patrick Crawford purchased at this location a house which had originally been built by William Allison. It’s unclear if Crawford then greatly remodeled a house already situated on the property or demolished the original structure, replacing it with the existing Queen Anne style house. In the United States, the Queen Anne Style of architecture refers to a wide range of picturesque buildings which borrow freely from the architectural features of the Italian Renaissance and avoid the features of English Gothic. Queen Anne Style runs from approximately 1880 to 1910 and refers to architecture, decorative arts, and furniture. In architecture, the Queen Anne Style incorporates distinctive gables and turrets, asymmetrical facades, dominant front-facing gables which are often cantilevered out beyond the supporting wall, pedimented porches, balconies, overhanging eaves, leaded glass, dentils, balustrades, columns, and wooden or slate roofs.At any rate, the Allison-Crawford House today clearly demonstrates the Queen Anne Style with its front-facing gabled roof, asymmetrical facade, delicate columns, and ornate decorative embellishments.

Originally constructed in 1890 and located on Spring Street, the Allison-Crawford House sits near the heart of the Quapaw Quarter, a section of Little Rock which comprises its oldest and most historic business and residential neighborhoods. The name Quapaw comes from a corruption or mispronunciation of a word for a Native American Tribe which originally inhabited the area where the city of Little Rock is now situated. This name was informally applied to the land west of the original city of Little Rock in the nineteenth century. Then, in 1961 the name of Quapaw Quarter was more formally assigned. Now, it is a well-loved and treasured historic district featuring constructions of the Victorian, Queen Anne, Colonial Revival, Georgian Revival, Italianate, and Craftsman Styles.

Allison-Crawford House

Strasser Cottage is a small frame residence either constructed or re-modeled in the Queen Anne Style. In the United States, the Queen Anne Style of architecture refers to a wide range of picturesque buildings which borrow freely from the architectural features of the Italian Renaissance and avoid the features of English Gothic. Queen Anne Style runs from approximately 1880 to 1910 and refers to architecture, decorative arts, and furniture. In architecture, the Queen Anne Style incorporates distinctive gables and turrets, asymmetrical facades, dominant front-facing gables which are often cantilevered out beyond the supporting wall, pedimented porches, balconies, overhanging eaves, leaded glass, dentils, balustrades, columns, and wooden or slate roofs. Strasser Cottage is a simplified version of Queen Anne, demonstrating the dominant front-facing gable, asymmetrical façade, and turret-styled or bay window.Built in 1882, the house was first used by a late nineteenth-century Little Rock organization known as the Ladies Building Association. Little is known about this group, but the name suggests that in the late 1800s, women of early Little Rock took an active interest in architecture and construction.  Today the Strasser Cottage retains its original charm, with a cheerful yellow painted exterior. With its location near the historic Trinity Episcopal Cathedral, Strasser Cottage sits amongst palpable heritage. It's a short pleasant walk from here to other captivating venues.

Built in 1882, the Strasser Cottage on Spring Street sits near the heart of Little Rock’s Quapaw Quarter. The Quapaw Quarter is a section of Little Rock which comprises its oldest and most historic business and residential neighborhoods. The name Quapaw comes from a corruption or mispronunciation of a word for a Native American Tribe which originally inhabited the area where the city of Little Rock is now situated. This name was informally applied to the land west of the original city of Little Rock in the nineteenth century. Then, in 1961 the name of Quapaw Quarter was more formally assigned. Now, it is a well-loved and treasured historic district featuring constructions of the Victorian, Queen Anne, Colonial Revival, Georgian Revival, Greek Revival, Italianate, and Craftsman Styles.

Strasser Cottage

The architectural design of the Dunklin House uses a mixture of Queen Anne and Colonial Revival features. The Queen Anne Style in the United States comprises a wide range of picturesque buildings which borrow freely from the architectural features of the Italian Renaissance and avoid the features of English Gothic. Queen Anne Style runs from approximately 1880 to 1910 and refers to architecture, decorative arts, and furniture. In architecture, the Queen Anne Style incorporates distinctive gables and turrets, asymmetrical facades, dominant front-facing gables which are often cantilevered out beyond the supporting wall, pedimented porches, balconies, overhanging eaves, leaded glass, dentils, balustrades, columns, and wooden or slate roofs.The Colonial Revival Style derives from late nineteenth century American interest in the design of homes built by the earliest Dutch and English settlers in North America.  Dunklin House demonstrates both the Queen Anne and the Colonial Revival Styles. It evidences the Queen Anne Style with its rounded corner turrets and bay windows, curved wrap-around porch, asymmetrical façade, and elaborate decorative flourishes. It represents the Colonial Revival Style with its rectangular footprint, palladian windows, and classical columns.

Built in 1896 for railroad conductor William J. Dunklin, the Dunklin House is located on Spring Street in the heart of Little Rock’s Quapaw Quarter. The Quapaw Quarter is a section of Little Rock which comprises its oldest and most historic business and residential neighborhoods. The name Quapaw comes from a corruption or mispronunciation of a word for a Native American Tribe which originally inhabited the area where the city of Little Rock is now situated. This name was informally applied to the land west of the original city of Little Rock in the nineteenth century. Then, in 1961 the name of Quapaw Quarter was more formally assigned. Now, it is a well-loved and treasured historic district featuring constructions of the Victorian, Queen Anne, Colonial Revival, Georgian Revival, Greek Revival, Italianate, and Craftsman Styles.

Dunklin House

The Second Sarlo Cottage is a small residential structure designed in the Queen Anne Style with a Colonial Revival porch. The present porch is likely a later addition, for the foundation footprint indicates that a different porch was originally installed. The original structure was built in 1895 by a saloonkeeper named Joseph Sarlo. At the same time Sarlo built this cottage for his own use, he also constructed houses on either side as rental properties, which fact explains the name as the second of a series. The wrought iron fence surrounding the property appears to be from the same period as the construction of the house, imbuing the entire property with an 1890s charm which is hypnotic for lovers of Victorian era romance.

The Second Sarlo Cottage sits on Spring Street in the southwestern corner Little Rock's historic Quapaw Quarter. The Quapaw Quarter is a section of Little Rock which comprises its oldest and most historic business and residential neighborhoods. The name Quapaw comes from a corruption or mispronunciation of a word for a Native American Tribe which originally inhabited the area where the city of Little Rock is now situated. This name was informally applied to the lands west of the original city of Little Rock in the nineteenth century. Then, in 1961 the name of Quapaw Quarter was more formally assigned. Now, it is a well-loved and treasured historic district featuring constructions of the Victorian, Queen Anne, Colonial Revival, Italianate, and Craftsman Styles. 

The Second Sarlo Cottage

Mount Holly is a long-time fixture of the Quapaw Quarter and downtown Little Rock. It was founded in 1843, when prominent Little Rock businessmen Roswell Beebe and Chester Ashley deeded four blocks to the young city of Little Rock for use as a cemetery. Before then, the dead were buried in private family cemeteries or in a small cemetery where the Federal Building now stands on Capitol Avenue and Gaines Street. Since that time, the city has grown dramatically, changing the old landscape which allowed for the previous methods of informal burial. Today, the remains of several hundred persons rest at Mount Holly Cemetery. The people buried here are, as the website for the cemetery states, a microcosm of American history. Here are found military veterans of every American conflict from the American Revolution to the Gulf War. Further, the cemetery is the resting spot of people of all races and walks of life. For example, there are leading civic figures and also <a style="color:hsl(51, 48%, 13%);background-color:transparent;" href="https://honors.uca.edu/wiki/index.php/Quatie" target="_blank">Quatie</a>, or Elizabeth Ross, the wife of Cherokee chief John Ross, who died en route to Indian Territory in 1839 as she traveled the Trail of Tears. Quatie was first buried at the Capitol Avenue cemetery; her remains, along with those of a number of others, were reinterred at Mount Holly later, in the Albert Pike family plot. As are so many of the landmarks of the Quapaw Quarter, Mount Holly Cemetery is listed on the National Register of Historic Places, to which it was added in 1970.

Founded in 1843, Mount Holly Cemetery is the resting place of many influential residents of Arkansas. Its most distinctive characteristic is its profusion of elegant, dignified statuary. An inspiring atmosphere, Mount Holly draws visitors and photographers year 'round for its profound beauty. Tall obelisks, towering angels, mausoleums, and impeccable gardening create a deeply felt tribute to those who have passed on. Time and eternity seem to hang in the air here, providing deep food for thought for all who stop by to pause and feel the passage of history.

Mount Holly Cemetery is a cultural treasure situated on historic Broadway in Little Rock's Quapaw Quarter. The Quapaw Quarter is a section of Little Rock which comprises its oldest and most historic business and residential neighborhoods. The name Quapaw comes from a corruption or mispronunciation of a word for a Native American Tribe which originally inhabited the area where the city of Little Rock is now situated. This name was informally applied to the land west of the original city of Little Rock in the nineteenth century. Then, in 1961 the name of Quapaw Quarter was more formally assigned. Now, it is a well-loved and treasured historic district featuring constructions of the Victorian, Queen Anne, Colonial Revival, Georgian Revival, Greek Revival, Italianate, and Craftsman Styles.

Mount Holly Cemetery

Built in 1881, the Terry-Jung House is constructed in the Italianate Style. The Italianate Style is abundantly represented throughout Little Rock's Quapaw Quarter. Drawing from the architectural style of the Italian Renaissance, this style of architecture appeared in England in approximately 1802 and was then embellished during the late Regency and Victorian eras. The popularization of this style saw it spread throughout Europe and into the United States in the nineteenth century. Here it is seen in its nineteen-century Little Rock version. Now restored, the Terry-Jung House is located on Scott Street amongst many other historic properties. Across the street is a large repurposed loft building, originally a school. Farther down Scott are more sites of interest to tourists and enthusiasts of nineteenth-century architecture, including the stunning Villa Marre.


The Terry-Jung House is located on Scott Street on the eastern side of Little Rock's historic Quapaw Quarter. The Quapaw Quarter is a section of Little Rock which comprises its oldest and most historic business and residential neighborhoods. The name Quapaw comes from a corruption or mispronunciation of a word for a Native American Tribe which originally inhabited the area where the city of Little Rock is now situated. This name was informally applied to the lands west of the original city of Little Rock in the nineteenth century. Then, in 1961 the name of Quapaw Quarter was more formally assigned. Now, it is a well-loved and treasured historic district featuring constructions of the Victorian, Queen Anne, Colonial Revival, Italianate, and Craftsman Styles. The Terry-Jung House represents the Italianate Style.



Terry-Jung House

The Villa Marre was built by Italian immigrant Angelo Marre, a wealthy saloon owner and importer of liquor, in the Italianate style in 1881. A century and a quarter later, the exterior became internationally famous when it was used by television screen writers Harry and Linda Bloodworth Thomason as the front façade for the sit-com, Designing Women. Still admired today by tourists and enthusiasts of heritage, the Villa Marre is a tribute to classic European styling, redone in the American south. Throughout, the house shows the influence of the Italianate Style. According to Washington, D.C. architect Bruce Wentworth, “The Italianate style began in England as a reaction to the rigid formalism that had come to dominate nineteenth century architecture. The Italianate style derived from Italy’s rambling farmhouses, usually built of masonry with their characteristic square towers and informal detailing. By the 1830s, Italianate had spread to the United States, where architects began to transform the style into something truly American with only hints of its Italian origin. Thus, working in the Italianate style, architects had a higher degree of artistic freedom than they had in earlier, more rigid architectural styles.”Visibly an example, the Villa Marre features Italian styling, especially with the long rectangular window frames and the squared tower centered on the front façade. Another Italianate feature appears in the Villa Marre’s concrete stones or quoins placed in an alternating or stacked position, which exemplify both Italianate and Second Empire architectural styles. In Little Rock’s Quapaw Quarter, Italianate Style is relatively well-represented, though Second Empire is not, making the Villa Marre a one-of-a-kind eclectic and historic gem in Little Rock. Inside, the Villa Marre boasts a sweeping walnut staircase, frescoes and murals, and ornate woodwork. Over the years, the Villa Marre has endured much change as neighborhood decline and urban renewal threatened its classic beauty. After passing through many hands of ownership, it is now once again owned privately. The Villa Marre has been listed on the National Register of Historic Places since 1970.

Located at the corner of 14th and Scott Streets, the Villa Marre is situated in the heart of Little Rock’s Quapaw Quarter. The Quapaw Quarter is a section of Little Rock which comprises its oldest and most historic business and residential neighborhoods. The name Quapaw comes from a corruption or mispronunciation of a word for a Native American Tribe which originally inhabited the area where the city of Little Rock is now situated. This name was informally applied to the land west of the original city of Little Rock in the nineteenth century. Then, in 1961 the name of Quapaw Quarter was more formally assigned. Now, it is a well-loved and treasured historic district featuring constructions of the Victorian, Queen Anne, Colonial Revival, Georgian Revival, Italianate, and Craftsman Styles.

Villa Marre

According to the Quapaw Quarter Association, the Rozelle-Murphy House represents a fusion of styles: primarily American Queen Anne, but also including Colonial Revival and Craftsman additions. In the United States, the Queen Anne Style of architecture refers to a wide range of picturesque buildings which borrow freely from the architectural features of the Italian Renaissance and avoid the features of English Gothic. Queen Anne Style runs from approximately 1880 to 1910 and refers to architecture, decorative arts, and furniture. In architecture, the Queen Anne Style incorporates distinctive gables and turrets, asymmetrical facades, dominant front-facing gables which are often cantilevered out beyond the supporting wall, pedimented porches, balconies, overhanging eaves, leaded glass, dentils, balustrades, columns, and wooden or slate roofs.Colonial Revival Style is based on the design of homes built by the earliest Dutch and English settlers of North America. This style attained great popularity in the late nineteenth century. Craftsman Style arose in the early twentieth century as a reaction to the complexity and embellishment of the Queen Anne Style. The Craftsman featured a simplied front façade, a porch with distinctive broad-based support columns, tiled roofs, and a more casual atmosphere. The Rozelle-Murphy House features the turret with conical roof and finial of the Queen Anne Style, the balcony and arched window of the Colonial Revival Style, and the square front-facing dormer of the Craftsman Style. It was built in in 1900 by George Rozelle and then later sold to Arkansas Attorney General George Murphy. Since 1953, the house has been used for business offices.

Located at the intersection of 13th and Scott Streets, the Rozelle-Murphy House sits at the heart of Little Rock’s Quapaw Quarter. The Quapaw Quarter is a section of Little Rock which comprises its oldest and most historic business and residential neighborhoods. The name Quapaw comes from a corruption or mispronunciation of a word for a Native American Tribe which originally inhabited the area where the city of Little Rock is now situated. This name was informally applied to the lands west of the original city of Little Rock in the nineteenth century. Then, in 1961 the name of Quapaw Quarter was more formally assigned. Now, it is a well-loved and treasured historic district featuring constructions of the Victorian, Queen Anne, Colonial Revival, Georgian Revival, Greek Revival, Italianate, and Craftsman Styles.

Rozelle-Murphy House

According to the Quapaw Quarter Association, the Altenberg House combines characteristics of the Queen Anne and Colonial Revival styles.Queen Anne Style In the United States refers to a wide range of picturesque buildings which borrow freely from the architectural features of the Italian Renaissance and avoid the features of English Gothic. Queen Anne Style runs from approximately 1880 to 1910 and refers to architecture, decorative arts, and furniture. In architecture, the Queen Anne Style incorporates distinctive gables and turrets, asymmetrical facades, dominant front-facing gables which are often cantilevered out beyond the supporting wall, pedimented porches, balconies, overhanging eaves, leaded glass, dentils, balustrades, columns, and wooden or slate roofs.Colonial Revival Style is based on the design plans used by the earliest English and Dutch settlers of North America. With its rounded bay window area and asymmetrical façade, the Altenberg House demonstrates the Queen Anne Style. The Colonial Revival Style is reflected in the porch columns with their capitals styled in the Greek fashion so admired by early American builders.

Built in 1889, the Altenberg House sits at the corner of 10th and Cumberland Streets in the northeastern quadrant of Little Rock’s Quapaw Quarter. The Quapaw Quarter is a section of Little Rock which comprises its oldest and most historic business and residential neighborhoods. The name Quapaw comes from a corruption or mispronunciation of a word for a Native American Tribe which originally inhabited the area where the city of Little Rock is now situated. This name was informally applied to the land west of the original city of Little Rock in the nineteenth century. Then, in 1961 the name of Quapaw Quarter was more formally assigned. Now, it is a well-loved and treasured historic district featuring constructions of the Victorian, Queen Anne, Colonial Revival, Georgian Revival, Greek Revival, Italianate, and Craftsman Styles.

Altenberg House

A prominent feature in the downtown area is the imposing façade of the Albert Pike Memorial Temple of Ancient and Accepted Scottish Rite Freemasonry. In spite of the size and monumental style of the building, few people in Little Rock, or elsewhere for that matter, know the full story behind this building. It was built in the early 1920s by Arkansas members of the Masonic Order for the commemoration of the life and works of Albert Pike, nineteenth-century resident of Little Rock and prominent figure in Arkansas history. A native of Boston who lived from 1809 to 1891, Albert Pike was a scholar and traveler who came to Little Rock in the early 1830s. Pike became a teacher, newspaper editor and owner, an attorney, a State Supreme Court reporter, and briefly a Confederate general. Most importantly, Pike founded Scottish Rite Masonry in the state in the late 1850s. Scholars of European history believe that modern Masonry has its roots in the European stone mason guilds of the Middle Ages. Pike’s Scottish Rite is likely rooted specifically in the Scottish stone mason guilds of the 1500s and 1600s, according to Scottish history professor David C. Stevenson in his two books, The First Freemasons: Scotland’s Early Lodges and their Members and The Origins of Freemasonry: Scotland’s Century, 1590 – 1710. On the Register of Historic Places since 1986, the Pike Memorial Temple is a city block long, three stories high, and fronted by 19 Greek ionic columns. The temple was constructed in the early 1920s on the strength of member financial investment, following a series of other structures used by the Masonic community of Little Rock, which had been active since the mid-1800s. Throughout the twentieth century, the Temple saw intensive use by Masonic members for Masonic ritual and fellowship, with attendees numbering in the thousands for some functions. When the fates of the organization shifted in the early twenty-first century, the building was renamed the Albert Pike Masonic Center, parts of which are now open for public uses, such as conferences and weddings.

An iconic structure of truly monumental proportions, the Albert Pike Memorial Temple of Ancient and Accepted Scottish Rite Freemasonry is located in the middle of Little Rock's historic Quapaw Quarter. The Quapaw Quarter is a section of Little Rock which comprises its oldest and most historic business and residential neighborhoods. The name Quapaw comes from a corruption or mispronunciation of a word for a Native American Tribe which originally inhabited the area where the city of Little Rock is now situated. This name was informally applied to the lands west of the original city of Little Rock in the nineteenth century. Then, in 1961 the name of Quapaw Quarter was more formally assigned. 

Now, the Quapaw Quarter is a well-loved and treasured historic district featuring constructions of the Victorian, Queen Anne, Colonial Revival, Italianate, and Craftsman Styles. The Albert Pike Memorial Temple is a striking example of Greek Revival architecture and brings to the historic quarter a solemnity and sense of ancient history. Directly across Scott Street from the Temple now sits the Albert Pike Hotel, originally constructed in the early 1900s to accommodate Masonic visitors to the Temple. With changes in Masonic membership and participation, the hotel was re-purposed to an affordable apartment house in the late twentieth century.

Albert Pike Memorial Temple of Ancient and Accepted Scottish Rite Freemasonry

According to the Quapaw Quarter Association, the Pike-Terry-Fletcher House is designed in the Greek Revival Style. This style of architecture arose in the 1700s and 1800s in imitation of actual Greek temples from classical times. It features the use of prominent columns with distinctive capitals. The Pike-Terry-Fletcher House demonstrates the Greek Revival Style with its formal front porch fronted by six massive Greek-styled columns. Local historians think these columns were added some time after original construction.The Pike-Terry-Fletcher House was originally built in 1840 by prominent Arkansas figure Albert Pike. A native of Boston, Albert Pike traveled as a young man to the western U.S. territories, landing by mishap in Arkansas in the early 1830s. Bright and literate by nature, Pike became a newspaper editor, attorney, and reporter of the state Supreme Court. When he attained to some prosperity, he built the mansion for his wife and growing family. Then, when the Civil War broke out, he threw in his lot with the Confederacy, attaining a leadership position in the military. However, he argued with the Confederate leadership over treatment of Native Americans, and Pike ultimately resigned his commission. The Pike Mansion survived the occupation of Little Rock by Union forces, and was later purchased by banker and cotton broker John G. Fletcher. In the 1950s, the home was owned by the family of David D. Terry, U.S. Congressman. The Pike Mansion as the Pike-Terry Fletcher House has been listed on the National Register of Historic Places since 1972.Albert Pike is an important figure for another reason as well. Internationally, he is recognized as a highly influential Masonic scholar. His literary and organizational work within Scottish Rite Freemasonry is commemorated in the Albert Pike Memorial Temple of Ancient and Accepted Scottish Rite Freemasonry on Scott Street in the downtown area of Little Rock's Quapaw Quarter.

The Pike-Terry-Fletcher House is located on East Seventh Street in the northeastern corner of Little Rock's historic Quapaw Quarter. 

The Quapaw Quarter is a section of Little Rock which comprises its oldest and most historic business and residential neighborhoods. The name Quapaw comes from a corruption or mispronunciation of a word for a Native American Tribe which originally inhabited the area where the city of Little Rock is now situated. This name was informally applied to the lands west of the original city of Little Rock in the nineteenth century. Then, in 1961 the name of Quapaw Quarter was more formally assigned. Now, it is a well-loved and treasured historic district featuring constructions of the Victorian, Queen Anne, Colonial Revival, Italianate, and Craftsman Styles.

The Pike-Terry-Fletcher House represents the Colonial Revival Style within the Quapaw Quarter.

Sites of Memory and Meaning: Architecture in the Quapaw Quarter

Dibrell House

Introduction

Images

Backstory and Context

Sources