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Young elm tree, eagle, and Lombardy poplars after 1923

The eagle statue and shell bird bath were placed by Gari and Corinne Melchers at the head of the drive to greet visitors.  The eagle is cast stone, and has a mark "London" discovered during conservation work.  The hydrangeas are an old variety called "Otaksa" and can be seen in the 1923 site plan. The plaque was placed on the plinth in 1966 when Belmont was designated a National Historic Landmark.

Eagle Statue and Shell Bird Bath

Take a walking tour of Belmont's gardens and learn about the many plants, statuary, trees and more that help tell the story of this unique site.

These trees were planted by Gari and Corinne Melchers in 1923.  Fun fact: Ginko bilbaos lose all their leaves in a 48-hour period.  Ginko bilbao or Ginko biloba (both spellings are correct) also known as the Maidenhair tree are either male or female. Since only female Ginko trees bear fruit, and both of ours do, they are both females. Interestingly, ginko trees can change their sex, so it is quite possible that at one time we had one male and one female. Prehistoric fossils of the ginko species have been found dating back 270 million years.

Ginko bilbao Trees

In 1923, Corinne Melchers planted six elms at the west elevation of the house.  The trees matured into a cathedral-like canopy, providing shade and a stately ambience to the house's rear approach.  Unfortunately, five of the majestic elms succumbed to Dutch elm disease and the fifth fell victim to a lighting strike.

Our current Elm trees are a replication of the 1923 planting and are the Valley Forge variety, which is resistant to Dutch elm disease.

Elm Trees

Built in 1923, these sunken cold frames provided insulation to overwinter plants, extend the growing season, start seeds, and harden off plants. Cold frames typically have a transparent covering to allow light in while providing wind protection.

A layer of manure from the cow barn was put in the bottom of the beds.  This layer was covered with soil; and seeds were planted in the soil.  As the manure decomposed, it emitted heat that gently nursed the seeds into germinating.

A large vegetable garden provided fresh produce and strawberries for both eating and making homemade wine.

A fruit orchard with apple, pear, peach and nut trees was also located in this vicinity.

Melchers Era Cold Frames, unrestored

This is a recent addition.  However, in 1932 the Gari and Corinne Melchers built a leaf pit at the South end of the Studio to save leaves for compost and mulch. Mrs. Melchers was interested in work related to the farm and had many Department of Agriculture bulletins on topics like canning, raspberry culture, and diseases of dairy cows.

Compost Bins

On the trellis shading the West porch is Lady Hillingdon, a climbing hybrid tea rose.

West Side Porch Trellis

Most of the named rose varieties found in the archives do not have a reference to where they were planted in the garden, but the roses on the east and west sides of the house are exceptions. Mrs. Melchers noted that she planted Paul’s Scarlet Climber on the east porch and Aviateur Bleriot on the west side of the house. Both are back in place, and the trellises they grow on are made to match the originals, based on archival photographs.

West Side Arbor

The Ficklens established the lawn and garden path to the south of the house. Georgian landscape design was based on symmetry and geometry, represented at Belmont in the four parterre beds on the south lawn, triangular beds edged in boxwood. The triangular beds are all edged with English box planted in roses and annuals. These beds predate the Melchers era and were part of the Georgian style landscape based on bilateral symmetry. These parterre gardens were a symbol of man conquering nature and they were popular all through the Victorian era. The triangle beds are planted with daffodil and tulip bulbs for spring and planted with salvia for the summer months. Interestingly, the stone used in the formal garden and elsewhere, particularly in the formal rectangular stone garden paths, are rich in dinosaur footprints. The Garden Club of Virginia began its relationship with Belmont in 1993 with the restoration of the Long Walk and South Lawn area.

The south lawn is delineated by a rectangular stone path marked at each corner by a triangular parterre edged in boxwood.  Mrs. Melchers planted these parterres with bulbs in the spring and annuals in the summer. 



Formal Garden

Melchers Memorial Each of the four roses represent, by their year of introduction, the birth and death dates of the couple. From left to right: HeiderösleinClass: Hybrid Musk        Color: yellow blendFragrance: Outstanding Fragrance           Date introduced: 1932Description: A rose very much in the style of Ballerina, small, single flowers are salmon pink in the bud with yellow petal bases, and open flat and wide to pale, lilac pink shades.Very fragrant! Mme. Joseph Schwartz – 1880. Tea – white. 5-6 ft. Delicious scent with nodding flowers. Dr. Briere - Bourbon 1860. Tall and lanky, can get huge. Rose-red to dusky mauve at the edges; full flowers beautifully cupped, displaying yellow stamens. Deliciously scented. DortmundClass: Shrub         Color: medium redFragrance: Good Fragrance         Date introduced: 1955Description: Bright, cherry-red, single flowers with wide white centers make a fountain of color, followed by a cascade of bright scarlet-orange hips. A rose that never ceases to attract admirers.

Gari Melchers was born in 1860, and Corinne Melchers died in 1955. The roses planted in front of their interment site in the Studio wall by museum staff represent almost one hundred years of rose breeding. It is interesting to see the difference in their habit, blooms, and presence, or lack of, scent, rose hips, etc. in the four roses planted there. They reflect the traits rose breeders thought would appeal to the public, and illustrate that what we find desirable in our roses has changed over the years. The roses in this bed range from a finicky, but deeply fragrant tea rose called Mme. Joseph Schwartz, released in 1880, the year of Corinne Melchers birth, to a sturdy, scentless, showy shrub called Dortmund, introduced in 1955.

It was the decision of the University of Mary Washington to inter the Melcherses' ashes in the studio wall and create the brass plaque.  The Melchers left no instructions regarding their interment.

Gari and Corinne Melchers Interment Site

Corinne Melchers was a founding member of the Rappahannock Valley Garden Club, a Garden Club of Virginia (GCV) affiliated club, and an active member of the committee that oversaw the restoration of the gardens at both Kenmore in Fredericksburg, and Stratford Hall in Westmoreland County. The GCV is now supporting the restoration of Gari and Corinne Melchers’ garden at Belmont.  In 2008, the restoration committee of the Garden Club began the process to restore the wooden sculpture and commissioned Ross Caudill, foundry technician and adjunct faculty at Virginia Commonwealth University, to produce a copy of the original putto and stonemason Richard Crickenberger to repair its pedestal.

The figure of a chubby nude boy, or putto, is a bronze copy of an original wooden sculpture that Gari Melchers and his wife Corinne, brought with them to Belmont from their Holland garden. 



Putto

The white oaks around the the Summer House pre-date the Civil War. 

White Oaks

This stone pedestal (no date) is topped by an old mill stone from Alum Springs mill. Numerous mill stones used as garden decoration can be found throughout the property.  

Stone Table

Most of the roses original to the garden were lost over the years. But thanks to Bill and Maxine Chandler, longtime caretakers at Belmont, some of the roses original to the time when Gari and Corinne Melchers lived at Belmont survived. Bill Chandler took cuttings from the old plants growing on the arbors and nurtured them in his own garden. His skill saved Tausendschön, a hybrid multiflora, and American Pillar, a rambler, which grew on the arbors at either end of the Long Walk.

On the east side of the house is the Ficklen-era Long Walk, a boxwood-lined walk which runs north to south on a “fall” or terrace below the house. This terrace was hand dug, most likely by slave labor and was an expensive garden feature that signaled to visitors the important social standing of the estate and its owners.  Rose arbors are situated at either end and are planted with Thousand Beauties and American Pillar roses. The Long Walk flower beds feature perennials of all sorts, bulbs, and annuals.

Long Walk

Most of the named rose varieties found in the archives do not have a reference to where they were planted in the garden, but the roses on the east and west porches are exceptions. Mrs. Melchers noted that she planted Paul’s Scarlet Climber on the east porch and Aviateur Bleriot on the west side of the house. Both are back in place, and the trellises they grow on are made to match the originals, based on archival photographs.

East Porch Arbor

Gari Melchers Home & Studio, in cooperation with the Virginia Department of Game and Inland Fisheries, undertook a wildlife habitat restoration of part of the former pastureland. In the spring of 2000 the fields were planted in warm season native grasses (Big and Little Blue Stem, Indian Grass, and Switch Grass) mixed with wildflowers (Black-eyed Susan, Purple Cone Flowers, Butterfly Weed) to provide food and nesting places for butterflies, small mammals, and birds. A simple path, where the grass is kept short, circumnavigates the fields to allow visitors a close-up experience. Both fields are easily viewed from the main garden for visitors who prefer to stay on pavement.



Native Meadow

A “straight range of trees” was a concept landscape gardener Bernard McMahon, friend of Thomas Jefferson, promoted as “proper” in his 1806 book American Gardener’s Calendar. A “range” of trees means trees planted in a line, usually along walks and drives to provide a majestic, formal note. Cedar allées were popular in the South and are seen in many old landscapes in the Fredericksburg area. Some of Belmont's cedars could pre-date the Civil War. Our allée of trees originally featured cedars on one side and locusts on the other. 

Row of Cedar Trees

Stairs on the west side of the house led to the Schoolhouse Studio, no longer extant, and further on to Falmouth. Steps predate the Melchers era and  date to circa 1850. The lilacs that border the stairs may also be an earlier feature; a Civil War letter refers to the Lilac walk. Today these steps have been restored and we have a new set of stairs at the bottom that links us to the Belmont- Ferry Farm Trail.

The wrought iron fence and gate at the bottom of the stairs originated from the grand 1834 house "Smithsonia" in downtown Fredericksburg, Virginia.

West Side Stairs

The cherry tree is on top of a "mound." Remnants of a circular carriage drive going around the mound can be seen.  This is the original 19th century Ficklen-period drive that terminated in this area because the house's east side served as the "formal front" entrance. 

The stone bench on the north end of the house may have been used as a carriage  'step down.' From there, guests would have proceeded down the boxwood lined "Long Walk."  

Circular Drive Remnants

The Garden Club of Virginia provided the funds for the 2016 restoration of the hardy orange, Poncirus trifoliata, hedge by the Visitor Center entrance. The plants have evergreen stems, are very thorny and have small oranges that persist in the winter.  It can be pruned into a thick hedge, and it was used to keep livestock out of the garden.  The Melcherses planted this hedge in the 1920s and thanks to the Garden Club of Virginia we now have it back in the garden.

Gari Melchers Home and Studio Garden Tour

Eagle Statue and Shell Bird Bath

Introduction

Images