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Andersonville Civil War Prison
Item 7 of 12
This is a contributing entry for Andersonville Civil War Prison and only appears as part of that tour.Learn More.
The Star Fort is one of the remaining existing headquarters of Captain Henry Wirz and General John H. Winder. The fort overlooks the corner of the prison and was chosen because the elevation offered a clear view down into the stockade. Cannons placed here helped to guard against prisoner riots or escape attempts. The existing earthworks that outlined the fort can be seen today, demonstrating the advantageous position of the fort for Confederate commanders.

NPS signage at Star Fort

Illustration, Poster, Drawing, Beard

Earthworks facing the camp at Star Fort

Natural landscape, Plant community, Plain, Grassland

Backside of Star Fort earthworks

Backside of Star Fort earthworks

Inside earthwork defenses in Star Fort

Notice the two lines of earthworks for extra protection

Replica cannon placed in Star Fort

These cannons are placed pointed in the direction the Confederate commanders would have pointed; cannons were directed inside the prison camp to quell rebellion or rioting

The Confederacy built Star Fort, like the other earthworks surrounding the prison camp, to offer a high-ground position for Confederate troops to defeat possibly revolting or escaping Union prisoners. Confederate leaders believed that sufficient artillery placed on the high ground would be sufficient to “cow the prisoners,” and in May 1864, General Howell Cobb when visiting the prison made continued recommendations to extend both the stockade and the earthworks.[1] The Fort was the designated headquarters on site for Captain Wirz and General Winder, commanders of the prison. Unlike the other corner earthworks, the Star Fort served as a central location for Confederate command and not only defense. Additionally, the other earthworks also served as a barrier against possible attack by Union troops seeking to free the prisoners.

The Star Fort still stands 375 feet from the southwest corner of the prison. When constructed, the fort had numerous angles and a large traverse dividing it, with two magazines and a well inside. The fort maintained twelve guns (cannons) with five trained continuously on the slope of the camp just inside the stockade wall.[2] From each corner, guns could “sweep the prison interior with grapeshot or shells.”[3]

Prisoners could look up daily at the foreboding view of the Star Fort, which sat immediately next to the small field where the dead were buried. As W.F. Lyon remembered,

The place for depositing the dead as they were carried out was in a line with Captain Wirtz’s headquarters, and in full view of the hill.”[4]

When visiting the site, it is easy to imagine the dread of Union prisoners as they sat day after day under the watchful eye of the Confederate commanders in the Star Fort. Daily roll call, rationing, and death counts only reminded prisoners of the despairing conditions they suffered within the camp.

[1] Edwin C. Bearss, Andersonville National Historic Site Historic Resource Study and Historical Base Map (Washington, D.C.: Office of History and Historic Architecture, Eastern Service Center, 1970), 96. Nps.gov, accessed December 15, 2020.

[2] Bearss, Andersonville National Historic Site Resource Study, 99.

[3] John L. Maile, Prison Life in Andersonville, With Special Reference to the Opening of Providence Spring (Los Angeles: Grafton Publishing Company, 1912), 29. Project Gutenberg, accessed December 15, 2020. http://www.gutenberg.org/files/39584/39584-h/39584-h.htm#Page_53

[4] William Franklin Lyon, In and Out of Andersonville Prison (Detroit, Michigan: Geo. Harland Co., Publishers, 1905), 42. HathiTrust, accessed December 15, 2020. https://babel.hathitrust.org/cgi/pt?id=hvd.32044024496366&view=1up&seq=9

Image Sources(Click to expand)

Personal Photograph Erin Del Giudice, Nov. 14, 2020

Personal Photograph Erin Del Giudice, Nov 14, 2020

Personal photograph Erin Del Giudice Nov 14 2020

Personal photograph Erin Del Giudice Nov. 14, 2020

personal photograph, Erin Del Giudice, Nov. 14, 2020