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Backstory and Context
GMHS is like no other Virginia site of historic significance. The house has a pedigree that dates it to the last years of the 18th century and its history of ownership is representative of a leading class of citizens responsible for the growth and culture of the region right through the American Civil war, through Reconstruction and into the 20th -century. But the latter chapters of Belmont’s history tell a unique tale, not about colonial revolutionaries or the ghosts of Civil war dead, but something unexpected; it is the workplace of a fertile artistic mind and a hospitable southern way of life and sanctuary, the last home of a famous American artist, who left his lasting imprint on the future of the property and on the cultural makeup of the surrounding community.
Like most aspiring American artists of his generation, Gari Melchers pursued European training, acquiring a solid academic foundation that served him well as a figure painter. At an early age and continuing throughout his career he was a critical and commercial success. As an expatriate with studios in Paris, Holland, and Germany, he built his reputation on an astonishing array of themes, including portraiture, murals, the nude, everyday scenes of the working-class Dutch, the traditional sphere of women and their children, and finally, figurative landscapes. He is recognized for his penchant for exuberant color and the diversity of his artistic approaches, working in a style that can be broadly characterized as academic realism or naturalism, sometimes incorporating symbolist and religious overtones, and executing landscapes marked by gestural brushwork and sensitivity to atmospheric light and color, qualities causing Melchers to be associated with the American impressionism. For a time, his name slipped from prominence, but his work reflects an important phase of American artistic life as it came of age in the modern world and occasionally commands blue chip prices in today’s art market. GMHS at Belmont has become a “must” destination for lovers of early 20th -century American painting. The site is perhaps most attractive to visitors because of the intimate glimpse it provides into the life of a creative genius who equally rubbed elbows with the rich and famous and his own rural neighbors.
While the artist maintained commercial headquarters in Manhattan after 1916, Gari and Corinne Melchers purchased the late 18th -century Belmont estate in 1916 to serve as a welcome respite from their travels and his hectic work schedule in the city. Portrait clients, having heard about this picturesque retreat, often chose to sit for the artist at Belmont rather than in the city. And then too, Melchers discovered such endless beauty and inspiration in his garden, the surrounding village and its inhabitants, that one has to wonder how much rest he actually got. This became the idyllic setting for the couple to entertain family and friends, with a guest list often including prominent figures of the day like Calvin Coolidge and David Lloyd George.
Because the couple had no direct heirs, the house is largely undisturbed, being richly appointed with personal ephemera, and art and antiques inherited or collected throughout their travels and which reflect their very personal and eclectic tastes. Notable works include art by the American painter Raphael Peale; paintings by 17th -century old masters like Frans Snyders, Wybrant de Geest, and Bathazar van der Ast; and the work of his fellow American expatriates, George Hitchcock, Walter MacEwen and James J. Shannon.
The studio, a rarified cultural experience for American tourists, was built in 1924 according to the artist’s specifications. It is appointed with Melchers’ furniture, tools and equipment and over 1600 works by his hand, including extensive holdings of preliminary sketches and studies, providing a rare opportunity to examine an artist’s personal methodology.
Belmont is picturesquely situated on a ridge overlooking the Rappahannock River across from historic Fredericksburg, Virginia, with its close associations with the Washingtons, America’s first family, and the Civil War. The site of Belmont cannot be interpreted without mention of the development of the estate prior to the arrival of the Gari and Corinne Melchers. The Ficklen family developed the property, much of it by slave labor, over 90 years of ownership, and the tribulations of the Civil War within its boundaries, particularly the Battle of 1862, is a fascinating chapter of the Belmont story.
Inspired by the revivalist spirit of their day, the Gari and Corinne aimed to enhance the colonial air of their storied property, further developing the immediate lawns around the house with old fashioned box parterres, perennial gardens, a vegetable garden, a fruit orchard, and their old cow-paths to the river now serve as a few miles of walking trails. The mid-19th century horseshoe-shaped stairs at the front elevation of the house, highly admired for its decorative beauty and combination of cast and molded iron-work, must have been a source of great pride for the couple who photographed it often. They further embellished the grounds with a handsome summer house, picturesque farm buildings and gates, stone walls, and sculpture. They raised turkeys, often the centerpiece of holiday meals, and featured ice cream at many events, made from the milk provided by their dairy cattle.
Gari Melchers Home and Studio literally reverberates with its past, with the result that it is one of America’s best preserved and most richly detailed artist studios and residences. One half expects Gari and Corinne Melchers to walk through the door at any moment, so redolent are their spirits here. But Belmont has a continuing relevancy, serving a vital purpose as the art center that Mrs. Melchers had envisioned, where school-age children create art, university students of art and art history enjoy practical experience in their disciplines, the public attends intimate chamber music in a historic setting or concerts on the lawn, and experts present engaging cultural topics for all ages.